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Jan Brueghel Paradise with the Fall of Adam and Eve oil painting


Paradise with the Fall of Adam and Eve
Painting ID::  93354
Jan Brueghel
Paradise with the Fall of Adam and Eve
c. 1615(1615) Medium oil on copper Dimensions 12.7 x 19.6 cm (5 x 7.7 in) cjr

   
   
     

Jan Brueghel The Battle of Issus oil painting


The Battle of Issus
Painting ID::  93663
Jan Brueghel
The Battle of Issus
1602(1602) Medium oil on panel Dimensions Height: 86 cm (33.9 in). Width: 135 cm (53.1 in). cjr

   
   
     

Jan Brueghel A Busy River Scene with Dutch Vessels and a Ferry oil painting


A Busy River Scene with Dutch Vessels and a Ferry
Painting ID::  93869
Jan Brueghel
A Busy River Scene with Dutch Vessels and a Ferry
circa 1605(1605) Medium oil on copper Dimensions 23.7 x 37.2 cm (9.3 x 14.6 in) cjr

   
   
     

Jan Brueghel People dancing on a river bank oil painting


People dancing on a river bank
Painting ID::  97020
Jan Brueghel
People dancing on a river bank
oil on copper 25.5 x 37.5 cm cyf

   
   
     

Jan Brueghel Landscape with boats and figures oil painting


Landscape with boats and figures
Painting ID::  97214
Jan Brueghel
Landscape with boats and figures
16th century-17th century Medium oil on panel Dimensions 27.7 X 36.5 cm cyf

   
   
     

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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